TIFF is finished for another year. I'm really happy with this year's experience and Heather is largely to thank. She has exceptional RAM and I joked recently: Others have IMDB, I have Heather! We were both happy with the selection of movies: The only one we weren't too jazzed about was The Stone Angel.
Below is my rack-and-stack: The first two were clear favourites. The seventh was the clear loser. All the others were really enjoyable and it was hard to rack-and-stack them. How do you compare a foreign hermaphrodite movie with an exciting cars-exploding law firm drama? I would recommend that you watch 1 through 7 when you get the chance.
For specific plot summaries, see my links here. Below are just thoughts and ramblings...
1. Rendition - Great film that was hard to watch (as it should be given the subject matter). This gets number 1 because it will raise social consciousness and may make a difference to something important. It is this potential that makes film truly exciting for me.
2. Juno - So freakin' clever. The writing was amazing and the laughs felt as natural as breathing while watching this movie. Great music too. See this!!! I will say that the writing was a bit Dawson's Creek. You know, where the characters, although teenagers or nail technicians, are somehow more clever and emotionally intelligent than you or anyone you know... Well I loved Dawson's Creek. Again - see this!!
3. The Jane Austen Book Club - Girl movie of the year! This film really hits the spot emotionally. Whoever wrote it gets it when it comes to what motivates people and how real life happens. Given the plot, it could have been so horribly bad, but the writing, acting and directing made it work. I empathized with characters - wounder and woundee alike!
4. Breakfast with Scot - Pretty much ties with number 3. Great premise and characters. Funny and touching. Breaks downs barriers on several different fronts.
5. XXY - Foreign hermaphrodite movie. The heroine was powerful - owning the seaside in her rubber boots. In some scenes, the dialogue left us missing something. Plot or character development issues. Ie if someone is depicted as an asshole but you have never seem him do anything asshole-like, and then later he does something REALLY assholey... the audience can get confused.
6. Michael Clayton - George Clooney clooning. He is the hero. He avoids the car bombs. He uncovers the stuff the bad guys are covering. The main female character's humanity (weakness, insecurity, inexperience) is fully revealed while the hero, although facing several personal challenges cloons on behind an emotional veil. Still very good. I love when people take a stand. The audience loved this too - we all cheered at certain times. Coolio when a film gets you fired up.
7. Then She Found Me - Colin Firth was supercute and the years have not been kind to Helen Hunt. (So damn unfair!) Again, this movie was reality based which I loved. Whoever wrote it understood the imperfection of the humans. Several plot turns had the audience shocked and dismayed while I thought to myself - Are you all REALLY shocked? This is how life is when you're not in a movie. Not for the faint of heart. I ranked it low and I don't know why. It was a tempo issue. Like I couldn't pick up the beat or something. In this case the plot and writing were great so I blame the directing ...
8. The Stone Angel - Bleh. Two people who saw this said how the main character is not very likeable. Good acting but with a huge tempo issue. It just didn't pull me in on any front. Flat as the Canadian prairies of Margaret Laurence's storytelling.
So there you have it. This September has been such a sparkler for me. I know September is built to be amazing but this year has been over the top. October promises to be equally exciting! Stay tuned.
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1 comment:
Aw...thanks for the kudos ;-) I think I pretty much agree with your rack and stack. I would add in The Valley of Elah, Battle in Seattle and Captain Mike across America slotted in between your numbers 2 and 3.
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